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Essay / Research Paper Abstract
5 pages in length. There were many concepts at work
in Raphael’s School of Athens. Indeed, the artist’s attempts to depict an array of sensory appeal succeed far beyond the most basic interpretation. Raphael’s utilization of line, shape, color, texture and space cooperatively work together to create one of the most
aesthetically pleasing works of art that history has bestowed upon the world. The writer discusses these points, as well as the artist’s compositional choices as they pertain to the overall effectiveness of his intent. Bibliography lists 3 sources.
Page Count:
5 pages (~225 words per page)
File: D0_Scholath.doc
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Unformatted sample text from the term paper:
to create one of the most aesthetically pleasing works of art that history has bestowed upon the world. As well, his compositional choices, as they pertain to the overall
effectiveness of the artists intent, capture the audience in a very profound manner. Raphael was a master at his craft. Not only was he able to incorporate the magnificence
of line and shape, but he did so with the utmost of detail. The images he featured in School of Athens did not appear to be the flat, one-dimensional
figures typically seen in such artistic endeavors; rather, his extraordinary talent enabled them to jump off the wall in glorious three dimensional form. Borrowing from Michelangelo, Raphael implemented the
illusionary effects of color to promote this accomplishment, which is evident by viewing his wonderful use of unorthodox hues (Anonymous, no date). Yet another inspiring aspect of Raphaels use of
line and shape within the confines of his School of Athens is that of his exquisite appointment to detail, particularly with regard to the human face. One only has
to witness the delicate expressions of each person to recognize the intensity with which he created this effect. Establishing a life-like replication of the human element is not an
easy task; Raphael was exemplary at capturing the very essence of humanitys peculiarity. These features coincide with the artists talent for incorporating texture within his creation. Without the molded
feel of texture, Raphaels work would hold no amount of substance; it would merely exist as a colored drawing upon a wall. Delicate but detailed texture is what enhances
the already exquisite singularity of each design found in Raphaels School of Athens. The artist clearly understood how texture plays a substantial role in bringing his artwork alive with
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