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Essay / Research Paper Abstract
In 5 pages, the author discusses the use of religion in William Shakespeare's "The Tragedy of Macbeth." Religion is being used less and less in modern literature just as in modern society. This has a great deal to do with the times. It is evident that people in general are stereotyped as being far more religious in earlier times than they are today. This is particularly true when one examines such classic Shakespearean works as "The Tragedy of Macbeth." Good vs. evil and the concept of freewill are shown in this play. Bibliography lists 5 sources.
5 pages (~225 words per page)
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with the times. It is evident that people in general are stereotyped as being far more religious in earlier times than they are today. This is particularly true
when one examines such classic Shakespearean works as "The Tragedy of Macbeth." Good vs. evil and the concept of freewill are shown in this play.
In the 1500s, there was strong belief in the existence of good and evil, which is the supernatural. The existence of this supernatural element was a recurring theme
in many of Shakespeares works. In "The Tragedy of Macbeth," the element of supernatural was an essential part of the structure of the plot, in fact. This supernatural
element provided a catalyst for action. It also provided an insight into characters, and magnified the impact of several key scenes in both of the plays. The role
of the supernatural was thus essential in "The Tragedy of Macbeth." This play thus represents the time-honored struggle between the factions of good and evil, as well as the
doctrine of free will. It is apparent when reading todays literature that the concept of religion is lacking. According to Campbell and
Quinn, "There are two major problems which arise in considering the relationship of religion and Shakespeare. The first is the fairly concrete biographical problem of his religious affiliation, Anglican,
Catholic, or Puritan. The second is the not entirely unrelated, but more remote and conjectural, problem of the religious values (or lack of them) which inhere in his plays.
The latter problem has received considerable attention in recent years; the answer to the former continues to elude researchers" (Campbell & Quinn 680). One must consider that the