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Essay / Research Paper Abstract
(6 pp) For more years than we would like to count,
the arts have been used to reinforce gender and
racial oppression. Some of the discrimination may
be subtle, or so ingrained, that it is no longer
noticed. Women in the visual arts have largely
been presented, or shown, as "being gazed upon;"
not until the nineteenth century did the model
even begin to gaze back at the viewer. When this
did happen of course, the pubic in general was
shocked at the artist's audacity for "allowing" the
woman to gaze back. Even then, it was not the
woman as model that had any power, it was the
artist who dared to show her that way.
Bibliography lists 3 sources.
Page Count:
6 pages (~225 words per page)
File: D0_BBfematR.doc
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Unformatted sample text from the term paper:
until the nineteenth century did the model even begin to gaze back at the viewer. When this did happen of course, the pubic in general was shocked at the
artists audacity for "allowing" the woman to gaze back. Even then, it was not the woman as model that had any power, it was the artist who dared to
show her that way. Bibliography lists 3 sources. BBfematR.doc WOMENS IMAGES AND REALITIES Written by B. Bryan Babcock for the Paperstore, Inc., November 2000
Introduction For more years than we would like to count, the arts have been used to reinforce gender and racial oppression. Some of the discrimination may be subtle, or
so ingrained that it is no longer noticed. Women in the visual arts have largely been presented or shown, as "being gazed upon;" not until the nineteenth century did
the model even begin to gaze back at the viewer. When this did happen of course, the pubic in general was shocked at the artists audacity for "allowing" the
woman to gaze back. Even then, it was not the woman as model, that had any power, it was the artist who dared to show her that way. Resistant
themes and strategies I do wonder if women, who are artists, or artists who are women, consciously have themes of resistance. From those I have known and studied it
seems as though one their major themes, is resistance itself, of the "not-giving-up" of it. Or even the "believing-of-it," that it can be done - that part of their
soul must, and will have expression. I once had an installation artist friend, that I quizzed about her monumental paper sculptures (some were 13 feet tall -
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