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Relationship of Structure and Theme in Rushdie's "Midnight's Children"

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This 6 page paper examines Salman Rushdie's book "Midnight's Children" and explores the relationship between the novel's structure and its theme. Bibliography lists 3 sources.

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6 pages (~225 words per page)

File: D0_HVMidChi.rtf

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incensed the Ayatollah Khomeini that he declared Rushdie an "enemy of Islam and put a $1.5 million bounty on his head" ("Midnights Children"). This may have been premature, as The Satanic Verses may be one of the best known books everybody buys but nobody reads; its obscure, difficult, and choppy and very few people manage to get through it. However, Midnights Children is much more accessible. This paper explores the relationship between the novels structure and its theme. Discussion Midnights Children won the Booker Prize in 1981, seven years before The Satanic Verses made its appearance. Although the latter is the one that caused the hostile reaction, the former is also "a novel that not only risks offending some readers, but also fiercely challenges our understanding of history, nationhood, and narrative" ("Midnights Children"). Midnights Children is narrated by Saleem Sinai, who was born at midnight on August 15, 1947, the exact moment at which India became an independent sovereign nation, free at last from over 100 years of British rule. The title of the book refers to him and to the other children born that special night ("Midnights Children"). Saleem can be seen as a metaphor for India itself, and his story is inextricably linked to that of the subcontinent ("Midnights Children"). Because the history of India is so rich and varied, the novel is multi-layered and complex, and Rushdie was in theater is called "breaking the fourth wall"-he deliberately calls attention to the fact that we are reading a book by having Saleem comment on his work ("Midnights Children"). This has the effect of taking us out of the story and forcing us to remember that we are reading a fictional account; authors who do this clearly do not want us to sink into the story completely, ...

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