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Essay / Research Paper Abstract
This 5 page paper discusses the social changes which influenced the artists in the modernistic era. Manet, Rodin, and others used as examples. Bibliography lists 2 sources.
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5 pages (~225 words per page)
File: D0_MBartsoc.rtf
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nearly every venue. Reacting to this, the artists of the day tried to portray their feelings and that of the new global conscience in the twentieth century. Anytime one
deals with the human being, emotions must enter into the equation, and those are unpredictable variables in each individual. As diverse as the range of emotions comes the range of
artists, who were at once both captivated and horrified by things that they observed. Therefore, much of the artwork that seems to have come from this period portrays a desire
to make sense of something larger than the artist himself. Like one long demonstration project, each new discipline (Cubism, Dadaism, and Surrealism, for example) served to show that the artist
could pretty much do whatever he wanted to do. The joy was in the doing, it can be said. Of course, this begs the question, does it not? What
made painters become modern painters? Why didnt they stick to what was popular, commissioned, and desired? The answer has to lay in the fact that previous art forms had ceased
to offer the freedom of expression that the newer artists longed for. As newer philosophies of thought and newer innovations in science began to pervade the human experience, the art,
it can be said, changed to reflect this. Edouard Manet painted some of the most widely admired, critically discovered, and revered paintings of the nineteenth century. It can be
said that his unconventional way of perceiving things had an impact on the art world and on future generations of artists. His paintings seem to hint at the fact that
consciousness itself is the greatest subject of his art. This can be readily seen by a comparison of Manets Olympia painting, with the stylings of coutlures Romans of the Decadence
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