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Essay / Research Paper Abstract
This 6 page paper provides an overview of three basic questions regarding Canadian culture and the impacts of governmental funding of culture. Bibliography lists 3 sources.
Page Count:
6 pages (~225 words per page)
File: MH11_MHCanaCult.rtf
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Unformatted sample text from the term paper:
the Massey Commissions report in 1951, the preoccupation with Canadian culture has led to a number of legal, ethical and social questions regarding the use of public funds to target
specific aspects of Canadian culture, most recently the industrial culture. Varied views on the benefits of support and arguments against its necessity range from economic views to the perceived
impacts of government funding on artistic integrity. Supporters of the use of governmental funding for the arts and culture in Canada reflect the initial findings of the Massey Commission
and the emerging preoccupation with Canadian culture, demonstrating the value of investments in the arts in terms of creating a Canadian cultural identity. In the last 1920s and 1930s,
the governmental support for Canadian broadcasting was viewed as a means of supporting the ideal of a unique Canadian culture, one that defined and separated from the culture of
the United States and Great Britain (Chartrand, 1991). In 1951, Royal Commission on National Development in the Arts, Letters and Sciences, which became known as the Massey-Levesque Report, identified
the need for nationally supported arts, maintaining the importance of public funding to protect the Canadian cultural identity (Chartrand, 1991). Supporters, then, have long maintained that the absence of
governmental funding for the arts and culture in Canada would lead to an influx of American and British cultural programming and a sharp decline in domestic production of mass culture
art forms, including theater, films, radio and television. Opponents of government funding generally relate arguments that are linked to one of two central underpinnings: governance or economics.
Opponents often maintain that one of the problems with national funding for the arts comes in the form of governance particular to Canada, especially the belief that education, even
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