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Essay / Research Paper Abstract
(5 pp) What we shall be looking for in paper are
the differences between the 1984 film Amadeus,
directed by Peter Shafer, and 1791 - Mozart's Last
Year by HC Robbins Landon (1999). As one begins
to study Landon's scholarly, but readable book, we
will begin to find many differences indeed. One
might even wonder how the movie veered so far
from the truth, but was such a great box office
hit - obviously it was the music that did most
of the work.
Page Count:
5 pages (~225 words per page)
File: D0_BBmozart.doc
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even wonder how the movie veered so far from the truth, but was such a great box office hit - obviously it was the music that did most of the
work. BBmozart.doc 1791 and the Mozart Movie. Written by B. Bryan Babcock for the Paperstore, Inc., January
2001 Introduction What we shall be looking for in this paper are the differences between the 1984 film Amadeus, directed by Peter Shafer, and 1791 - Mozarts
Last Year by HC Robbins Landon (1999). As one begins to study Landons scholarly, but readable book, we will begin to find many differences indeed. One might even
wonder how the movie veered so far from the truth, but was such a great hit - obviously it was the music that did most of the work. Differences (between
movie and book) 1. Movie: The court piano teacher, Salieri really becomes the villain of this movie, motivated by his personal jealously and lack of skills. Reality: Saleri
never received the commendations that were heaped upon Mozart, but he must have been a competent musician or he would have never had a court appointment (He held a dual
post as court composer and imperial Kapellmeister). In the movie Salieris music is simpleminded - this could have never been the case, or again he would not have survived
in the court of Emperor Joseph II, who really did know music even though Amadeus gives the message he did not. 2. Movie: Salieri and Mozart were enemies.
Reality: Anselm Huttenbrenner reported that Salieri always spoke of Mozart "with exceptional respect," and the two composers were on friendly enough terms, so that Salieri
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