Sample Essay on:
Real Movement in Kinetic Art

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Essay / Research Paper Abstract

This 10 page paper examines modern art as a flow - one step leads to the next and all are built upon each other. Consequently this paper discusses many art terms and works to establish the connections between the terms to reconstruct the "flow of modernism" that is art history. Bibliography lists 7 sources .

Page Count:

10 pages (~225 words per page)

File: D0_BBmove.doc.

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Unformatted sample text from the term paper:

that peaked in the first half of the twentieth century. Accordingly, the terms have acquired a certain degree of descriptive validity. Moreover, the outlook and attitudes that produced these artistic developments like Cubism, Surrealism and Post-Impressionism still continue to influence todays society now (Ashton ppg). Since most often the naming of movements is done by zealous critics rather than artists themselves, it is important for us to hear what artists say about themselves and others, and consider the work they are producing within the movement and then weigh that against the often hasty judgments of critics. The field of real movement in art, or kinetic sculpture has been a rich one since at least the first part of the twentieth century, and may even be traced back to animated or articulated art of the earliest periods (de Solla Price 11). This paper discusses many art terms and works to establish the connections between the terms to reconstruct the "flow of modernism" that is art history, as it is life. Influences: There are seldom singularities in art - there is no one right, and only one right way to do something. As artists we are only limited by our imaginations. The same is true for from one "ism" or period to another. There is no dotted art line in our hand, with Impressionism stenciled on it - ripppp - and it is post-Impressionism. Rather art movements, often like the social movements which they reflect, blend, meld and then pull away from each other and re-create themselves, and repeat the process. ...

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