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Contrasting William Shakespeare’s Play “Hamlet” with Kenneth Branagh’s 1996 Film

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Essay / Research Paper Abstract

A 6 page paper which examines the differences between the way the play was conceived and staged and the way Branagh presented the action on film. Bibliography lists 6 sources.

Page Count:

6 pages (~225 words per page)

File: TG15_TGbraham.rtf

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Unformatted sample text from the term paper:

and several lengthy soliloquies made it a perfect theatrical fit. However, with the advent of celluloid in the late-nineteenth century, it would be simply a matter of time before Hamlet would make the transition from the comfortable stage to the imposing big screen. The earliest known production of Hamlet was a French silent film released in 1900, but aficionados of the Bard have long proclaimed Laurence Oliviers 1947 Academy Award-winning production to be the quintessential cinematic interpretation of Hamlet. However, Olivier basically transferred the stage play onto film, meaning he did not enhance the production in any way by performing any feats of screen magic. Seeing Oliviers film is basically like attending a theatrical performance of Hamlet. But actor and filmmaker Kenneth Branagh had other ideas. A lifelong student of Shakespearean drama, Branagh wanted to capture the essence of the tragedy, while at the same time he wanted to make the film more accessible to contemporary audiences. Branagh had no interest in changing Shakespeare; he merely endeavored to utilize the tools of cinema to provide a more visual interpretation of the drama. Shakespeare had conceived of Hamlet as a five-act play of steadily rising melodrama, with a series of mini-climaxes before reaching the final and most significant final climax just prior to its conclusion. The Danish college student, Prince Hamlet, is the unmistakable central focus of the play. Shakespeares play was one of the first dramas to explore the theatrical device known as an interior monologue. Hamlet, devastated over his fathers murder and his mothers hasty remarriage to her brother-in-law (and newly crowned king of Denmark) Claudius, borders on madness, and fuels all the ensuing action. There is military and political intrigue in Shakespeares play, but it is more ...

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