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Essay / Research Paper Abstract
A 3 page analysis of the 1952 classic film “Singin in the Rain.” Bibliography lists 1 source.
Page Count:
3 pages (~225 words per page)
File: JR7_RAsngn.rtf
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Unformatted sample text from the term paper:
makes the viewer feel good, and gives the viewer a sense of romance and the ability to almost fly through the dancing scenes which, by the way, have some of
the best dancers movie audiences have ever seen on the screen. The following paper examines some of the techniques used in this film as it involves the camera, and provides
an overall analysis of the movie musical. Singin in the Rain This particular film utilizes a great deal of close-ups in combination with long shots. Interesting, but not surprisingly,
enough the scenes which are close-ups tend to be scenes where the audience is being pulled into the characters themselves. With the close-ups we are brought into the faces of
those who are talking, thinking, and generally presenting their characters. The long shots are those that involve many characters sometimes, but also the shots that involve the dancing and the
scenes around them. Through giving us long shots of such dancing scenes we are made a part of the scene while also seeing the entire dance routine. In many
films of dancing the direction may not be on the long shot but on aspects or portions of the dancer and their body or bodies. We are not always given
the long view where we can see the entire dance. This is often seen in present day films about dance where it seems the performers are not really the dancers,
or they may not be good dancers and the direction is aimed at focusing on choppy aspects of the dance routine itself. With Singin in the Rain the dancers were
themselves incredible athletes in terms of dancing and there is absolutely no reason to do a close up of a dance sequence making it seem to be more than it
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