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6 pages in length. From the vivid imagination of F. Buckminster Fuller came temperance and detail coupled with the quest for limited space, an influence he treasured from other architects who harnessed their spatial tendencies. No longer bound by the stagnant imagination of space and materials, Fuller allowed himself to create an architectural masterpiece in the Dymaxion House by manipulating color and form, materials and shapes, spending his entire career designing buildings with a context that was infused with the combined poetry of form and functionality of real life. Bibliography lists 4 sources.
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6 pages (~225 words per page)
File: LM1_TLCdymax.rtf
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architectural masterpiece in the Dymaxion House by manipulating color and form, materials and shapes, spending his entire career designing buildings with a context that was infused with the combined poetry
of form and functionality of real life. Bibliography lists 4 sources. TLCdymax.rtf R. BUCKMINSTER FULLERS DYMAXION HOUSE by (c) November 2001
paper properly! I. INTRODUCTION From the vivid imagination of F. Buckminster Fuller came
temperance and detail coupled with the quest for limited space, an influence he treasured from other architects who harnessed their spatial tendencies. No longer bound by the stagnant imagination
of space and materials, Fuller allowed himself to create an architectural masterpiece in the Dymaxion House by manipulating color and form, materials and shapes, spending his entire career designing buildings
with a context that was infused with the combined poetry of form and functionality of real life. "Anytime you write a poem, you need to find the balance between
thought and language. Nothing should disturb the essence of the idea. It is the same with architecture" (Levy, 1997, p. 69). II. DETAILS
Organization of the Dymaxion House interior spaces lends itself to Fullers desire to maintain an apparent relationship with the individualistic and critical spirit of humanism and the
tangibility of materialism. There is no question that the expanse interpenetrates and flows into other spaces as a means by which to provide continuity to the otherwise unconventional structure.
The relationship of the home to its site was not so much to maintain the same semblance of natural application as was there prior to the structure being built,
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