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Essay / Research Paper Abstract
A 12 page paper that provides a comprehensive overview of the significant features of the art and music of San Marco, Venice during the Renaissance era and considers the relationship between the art and the ideal of humanism. Bibliography lists 7 sources.
Page Count:
12 pages (~225 words per page)
File: D0_Venicen.doc
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the particular elements that distinguished Renaissance art and artisans from artisans of other periods. Understanding the nature of the Renaissance, the focus of humanism and the societal constructs that
maintained the development and prevalence of artistic process in Italy is important to an understanding of art history as a whole. The early Renaissance in Italy was a
period marked by the emergence of particular styles of art and music that culminated in the art of men like Leonardo da Vinci, Michelangelo and Raphael (Murray and Murray 7),
but there were many other artisans who made significant contributions to the pool of Renaissance art representative of the humanist concentration, and a number emerged from San Marco, Venice.
The music, painting, sculpture and architecture of the Renaissance period embraced certain structural elements linked to classical perception, and even the emergence of Christian humanism was linked to the culmination
of ideals based in classical study (Murray and Murray 8). Though comparisons of form alone demonstrate the application of humanism within the scope of the prevalent artistic forms
of the Renaissance period, and understanding of the premises of humanism and its subsequent adaptation through the development of artistry provides a substantive view of the links between the art
of Venice and the notion of Renaissance humanism. The focus of this research study, then, is to consider the notion of humanism in the Renaissance period in Italy, demonstrate
the structures represented in the artistry of the region, and apply this understanding to the artists of Venice. II. Renaissance and Humanism Humanism in Renaissance
Italy has been described as the dominant ideal in the development of the cities and courts of this era. For centuries leading into the Renaissance, the focus on religious
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