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Josephine Baker & Diana Ross - Divas of Harlem's History

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Essay / Research Paper Abstract

A 7 page paper that compares Josephine Baker and Diana Ross and the contribution that each has made to the advancement of African American music. Included is a discussion of the Harlem Renaissance of the 1920s and 1930s and the effect this era had on black entertainment. Also included is a brief history of the changes that have shaped African American music from the time of the Harlem Renaissance to the present. Bibliography lists 8 sources.

Page Count:

7 pages (~225 words per page)

File: D0_LCHarlem.doc

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Unformatted sample text from the term paper:

enthusiastic French applause. Dressed as a caged canary but possessing the strut of a peacock, the outrageous Josephine Baker closes her performance with her signature sentiment, the French phrase that translates roughly into English as "And there it is" (Corrigan 03C). Long before Elton John made outrageous popular with his platform shoes and outlandish costumes of the 1970s, Josephine Baker was a master at this guise. Decades before Madonna in the 1980s revealed more to her audiences than her singing voice, Josephine Baker was the picture of risque. Known as La Perle Negre, or the Black Pearl, Josephine Baker roared into the Harlem Renaissance of the 1920s and forever left her mark on the world of black entertainment (Coughlin PG). The abolishment of slavery following the Civil War in the last half of the nineteenth century witnessed a mass migration of African Americans from the southern states to the north seeking opportunity and employment. Beginning around 1880, these individuals flocked to New Yorks Harlem, bringing with them a mixture of their African and American heritage in their music and their dance (Hilliard http://www.yale.edu/ynhti/curriculum/units/1989/1/89.01.05.x.html). Beginning around 1918, a surge of interest in this lively, vibrant, somewhat exotic music told hold in New York and other cultural areas. From this interest was born a period of history known as the Harlem Renaissance, an era of affluence for African American art and music that lasted until around 1933. The music that marked the beginning of the Harlem Renaissance was a lively, spirited mixture that was popularly known as "ragtime" or "theatre" music (Hilliard http://www. yale.edu/ynhti/curriculum/units/1989/1/89.01.05.x.html). By the middle of the 1920s this sound had given way to "swing" music, a type of jazzy, upbeat dance music that incorporated large groups of performers (Hilliard http://www.yale.edu/ynhti/curriculum/units/1989/1/89.01.05.x. html). ...

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